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Monthly Archives: April 2009
Here are some subjects I’ve never been assigned to photograph: a chiseled, oiled, body builder; a chiseled, sweaty, mean-looking linebacker or killer ninja; a chiseled, oiled, bikini-clad supermodel. You know, those subjects that you see sometimes in the location portrait lighting books and blogs.
No, McNally and Hobby get all those jobs. Jobs that require lots of small specular light sources over which you can exercise total control, and are shot in abandoned warehouses, desert sand dunes, and gigantic college gymnasiums, with enough space and time to not only to place your lights, but for a video crew to immortalize the shoot as well!
No, the jobs that I, and most travel photographers, get are lighting the locations themselves as well as the people in them, and those locations are almost always dark: nightclubs, shop interiors, bars, pubs. They are always crowded with the general public, run by managers who are more concerned with you not annoying their patrons with your popping flashes than helping you make art, and require you to get in and out in minutes.
(Where did my karma go wrong, I sometimes wonder? I mean, I can live without the linebackers, weight lifters, and ninjas, but don’t I deserve just one bikini-clad supermodel shoot? ) No, I can’t worry about how best to sculpt the tricep of a flamenco dancer with a snooted kicker light,
I just have to make a broadly and softly lit publishable picture in less than 10 minutes, and get moving before I get thrown out (and I have been thrown out of better, and far worse, places than this…sometimes even for using a flash!). Fortunately, though, I’ve worked up a pretty good portable one-light set up to help me do it… Continue reading
Just heard from the folks at the Maine Media Workshops that there are only three spots left open for my June 28th-July 4th digital travel photography workshop. Great time to be in Maine (although the sunrises, like this one at Pemaquid Point Lighthouse, are early and the sunsets late that early in the summer…but the lobsters are juicy!). Check out the details here.
Yeah, what exit? Cuz it’s the return of the prodigal son. That’s right, me. Born in Jersey City, raised in Guttenberg and then Fort Lee (where the Sopranos only wished they could live). I’m comin’ back to bond with my peeps May 13 at the NJ chapter of the American Society of Media Photographers salon at Unique Photo in Fairfield (hey, look it up….whaddoo I look like? A Google map?).
We’re gonna talk turkey, like how not to starve to death in the current economic climate, but we’re gonna lookit a lot nice snaps too. Gonna be fun, educational, and I think, basically, free. (For ASMP members, that is. The general public? Well, you gotta buy a $20 ticket, but then, all mysterious-like, you get a $20 gift certificate in return….is that beyootiful or what? Just don’t axe no questions that don’t involve, you know, fertography, and everything is cool.)
My “honorarium” (nudge, nudge, say no more!) is goin’ right to the ASMP Legal Action fund—the one last pure outlet for your dues dollars (and my speaking fees) to fight those @#$%&**###@@!’ing copyright claim jumpers and “Fair Use” eggheads from the “copyleft.” (Hey, if I had a trust fund, I might be all for “Fair Use” too).
But noooooo, I gotta still sell pitchers to eat, so “f” Lawrence Lessig and all his Stanford cronies who want my content for free so they can “sample” it at will to keep their tenured positions at overpriced private colleges (and I speak from experience, havin’ put several kids through them).
Wait, am I being too harsh?…. Yeah?….So what!
Cry me a river…..Waaaaaaaah! (as Artie Lange, another one of my Jersey brothers, might say).
But seriously, it’s gonna be fun…..
I just got my May copy of National Geographic and was pleasantly surprised to find a double page picture of mine in the Visions of Earth section. I’ve submitted to this section before but never made the cut and was tickled by the fact that when they were trolling the files at Corbis looking for fodder for this feature, they actually pulled this one out.
Of course, I would have been more tickled had they then contacted me, so I could have made the sale and not shared the booty with my agency! But you know what they say about half a loaf….er, actually, when my current contract lapses, and I sign the new contract, it’ll be more like 45% of a loaf. But that’s a topic for another post.
For a quick look at the spread, and one other funny thing about the whole situation, hit the jump.
From aboard the National Geographic Explorer in French Comoros, Indian Ocean
It may seem counterintuitive to bring a flash into a tropical jungle streaming with hot beams of sunlight, but that’s just what I did when our expedition ship visited M’Bouzi Island, a small island near Mayotte in the French Comoros that serves as a refuge for lemurs.
The trees were loaded with these cute little creatures, found only on Madagascar and the Comoros, but they were usually backlit, or sitting in splotchy light or shade. Digital, and film, hates splotchy light—there’s just too much dynamic range for the chip to record.
Plus, when you’ve got a subject with big dreamy eyes, like these guys, you want to make the most of them and make sure those big eyes have a little catchlight. For the formula that worked the best for me in this situation, hit the jump.