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10 Old Mill Road
New Hope, PA 18938
Phone (215) 862 4828
Fax (215) 862 4831
Category Archives: Multimedia
Wow, what a trip Senegal is! Incredible place but tough on docs and patients using the less-than-ideal infrastructure. Take the above photo for instance.
My friend Dr. Al Ruenes and his colleague, Dr. Serigne Gueye, were doing a fistula repair on a patient in a remote clinic south of Dakar when the power went out. So they’ve got the patient opened but can’t see a thing.
Well, as much as I love my Nikon Speedlights, it was continuous lighting that saved the day because I pulled out my little headlamp flashlight and my Lite Panels Micro Pro LED on camera video light, handed them to the docs, and they were able to finish the operation with a nice main light and a broader fill!
The docs liked the light quality so much, they continued to use it even when the lights came back on (probably a good thing, since we lost power a couple of times that day!)
We’re wrapping up here today and hope to be home tomorrow. It’s been an incredible experience seeing what obstacles are faced and overcome here on a daily basis. Hope to have some video up (but, it’s going to take a while).
I hardly shot a still while I was here….video took up all my concentration, and I’m still making rookie mistakes. I’ll have more on that in another post.
I’m off to Senegal to shoot a short documentary on the volunteer work of my friend Dr. Al Ruenes. Al is a urologist who regularly visits Senegal to teach new techniques to surgeons from all over Africa, and while he’s there, does a whole slew of pro bono procedures for Senegalese patients.
Also coming is renowned plein air artist Bob Beck. He’s going to make paintings of the trip, I’m going to make the short video, and when we get back, we’re going to try to use this stuff to raise money for an operating theater Al hopes to fund in Dakar.
Originally, my son Brian was coming along to do the video duties, and I was just doing stills and audio. But then, young Brian had to go and get a great new gig as an associate producer for a new series at Discovery Channel and couldn’t get the time off.
(Oh sure, let a little thing like a major career move get in the way of a trip with the old man….sheesh, these kids!)
So it’s up to me to do my one-man band routine.
I’m only mildly panicked, as I’ve spent a lot of the summer studying up, shooting a lot of video to try to get my chops somewhat up to snuff. Even at that, I’ve got a long way to go as a videographer, but I’m ready as I’ll ever be by tonight, anyway!
And just like in my still shooting, I’ve been researching and finding the smallest, most reasonably-priced stuff that will do the job right.
So it’s going to be a little quiet on the blog for the rest of the month. And comment moderation could be very slow, so if you post a comment and it doesn’t show up for a while, it is nothing more nefarious than a bad or non-existent internet connection in my location!
For a look at the gear I’ll be bringing on this one man band gig, hit the jump. Continue reading
The reception for New Hope: In Character was Friday night at the New Hope Arts Center and we had a large and very responsive crowd.
Besides the local luminaries, many of whom were on the wall AND in the crowd, several old photographer friends showed up, including the Geographic’s Mike Yamashita, NY Daily News sports shooting ace Linda Cataffo (we started at The Dispatch together, but the years have been far kinder to her!) and The Record’s Peter Monsees (we’ve known each other since grammar school), The Intelligencer’s Rich Kennedy, and freelancers Jerry Millevoi, and Arun Paul.
Here’s a web gallery of the show. The prints, some as large as 30×40, were made by Aspen Creek Photo. This is the consumer lab division of West Coast Imaging. We had to keep the costs down on this job and WCI’s excellent custom B&W printing was not in the budget. But Rich Seiling and the Aspen Creek crew did magnificent work on the consumer prints that just looked great.
I’d love to take credit for the good looking files those prints were made from, but it was the Nik Silver FX Pro plug in that made those flawless B&W conversions so easy, even I could do it!
The prints were mounted by another crackerjack outfit, Philadelphia Photographics. Jack and his crew turned the job around quickly and perfectly….and they even delivered!
I can’t guarantee it would be the same for you, but photographing friends and neighbors was one of the most rewarding projects of my career…and one huge benefit was that all I had to do was walk two blocks to work—no metal detectors, no baggage handlers, and no crowded overheads! It’s the lowest carbon footprint travel photography I’ve ever done…..
For those of you who may not recognize his name, Andrea is one of the busiest and most talented travel shooters around, with a string of publication credits that would choke a horse. If I had a quarter for every assignment I lost to Andrea over the years, I’d be very well off—this guy can shoot (and write, in English, even though he’s Italian!).
I highly recommend taking a read of the whole post, but to summarize, Andrea posits that travel photography as a profession is gone, primarily because most of the publications that made assignments are either gone or severely cutting back. But he ends with a very cogent and insightful observation:
“I keep thinking that the world has a lot of stories worth to be covered photographically. The real task is to modernize our scope, create new ways of distribution (using the new technologies, think of the iPad for example), reach the young reader.
For the Travel Photographer the time has come to drop the “Travel” label. Everybody has a camera in his pocket today. The photographer is somebody able to see in a personal, strong way, and pass the message on..
Wow, Andrea’s analysis really hits a home run (or, more culturally fitting, scores a big goooooaaaaaal). To find out what this might mean, hit the jump.