Here are some subjects I’ve never been assigned to photograph: a chiseled, oiled, body builder; a chiseled, sweaty, mean-looking linebacker or killer ninja; a chiseled, oiled, bikini-clad supermodel. You know, those subjects that you see sometimes in the location portrait lighting books and blogs.
No, McNally and Hobby get all those jobs. Jobs that require lots of small specular light sources over which you can exercise total control, and are shot in abandoned warehouses, desert sand dunes, and gigantic college gymnasiums, with enough space and time to not only to place your lights, but for a video crew to immortalize the shoot as well!
No, the jobs that I, and most travel photographers, get are lighting the locations themselves as well as the people in them, and those locations are almost always dark: nightclubs, shop interiors, bars, pubs. They are always crowded with the general public, run by managers who are more concerned with you not annoying their patrons with your popping flashes than helping you make art, and require you to get in and out in minutes.
(Where did my karma go wrong, I sometimes wonder? I mean, I can live without the linebackers, weight lifters, and ninjas, but don’t I deserve just one bikini-clad supermodel shoot? ) No, I can’t worry about how best to sculpt the tricep of a flamenco dancer with a snooted kicker light,
I just have to make a broadly and softly lit publishable picture in less than 10 minutes, and get moving before I get thrown out (and I have been thrown out of better, and far worse, places than this…sometimes even for using a flash!). Fortunately, though, I’ve worked up a pretty good portable one-light set up to help me do it… Continue reading