[quicktime]http://bobkrist.com/movies/BlogTanzania2.mov[/quicktime] I had all but given up on the video footage I shot with my D300s when leading a photo safari in Tanzania last February for National Geographic Expeditions. Although…
In the midst of the packing and last minute details for an assignment I’m leaving on tomorrow (note to self: no more blog posts about Photoshop or plug-ins…whoa…you guys are tough, tough, tough), I took stock of my upcoming shopping list for gear, gadgets, and software.
And none of it was for still photo stuff.
I should be upgrading to CS5, but all my cameras are covered by the version of Adobe Camera Raw in CS4 so what I’m really getting ready to plunk down near four figures to upgrade is to Final Cut Studio from Final Cut Express, and not from CS4 to CS5.
And yes, I’d like that tiny new 85mm Nikkor DX VR macro lens, but what I’m actually buying next is a fairly pricey little Sennheiser wireless mic setup. And I’ve been hitting the videography blogs with alarming regularity.
What the hell is going on? Hit the jump to find out just who, or what, has hijacked my brain.
[quicktime]http://bobkrist.com/movies/MayPodcast.mov[/quicktime] Large 220V Powerstrip Compact Magellan Powerstrip Kodak Zi 8 pocket camcorder Wide angle auxiliary lens for Zi 8 (caution: soft corners ahead!) Polaroid Pogo Printer Bob's Maine Media Travel…
I’m just in the process of ordering the big (up to 30″x45″) prints for my community portrait project, called New Hope: In Character. I’m working with the great folks at Aspen Creek Photo and West Coast Imaging to do the printing, and I’ll be writing about them soon.
Our exhibit will be up for the last two weeks in August at the New Hope Arts Center, and it’s going to culminate in a big street party outside the center where we bring the prints outside (more on that as the time approaches).
Of the fifty-plus of my neighbors that I photographed, only two pictures will run in color. One of them is of Rachelle, a young lady who went to school with my sons and is currently a professional dancer. One of her specialties is the hoop dance, with a hoop that has built in LED lighting.
It’s just too cool to see her do her thing, and to capture the movement of the lighted hoop, plus Rachelle, we did some slow synch flash, using the same basic broad light I’ve discussed before (see the jump for a picture of the studio setup).
But we turned off the overhead lights and blackened out the windows and went for a long (1/2 second) exposure in the dark, and then the strobe fired to provide the light on her.
It’s a dynamic look, and when I was cycling quickly through the shots in Photo Mechanic to pick the one frame to print, it had a kind of flipbook effect. So I grabbed all the jpegs from the session and made the timelapse in Quicktime that you see above.
For a look at the studio setup (one 4×6 softbox at a 45 degree angle, basically), hit the jump. (more…)
Well, my marathon trip is coming to a close in beautiful Istanbul. And one other thing (besides the weather) has been bugging me on the trip.
Whether it’s a speed dating tour like the one I’m currently on, or a more in-depth assignment like my recent city profile of Buenos Aires for National Geographic Traveler, I am having a devil of a time fitting in the time to shoot video, let alone collect audio.
I’ve seen such stunning work from younger PJs who are combining both in beautiful stories. Maybe it’s because I’m from a pre-multi-tasking generation, but I really find it difficult to do both, or all three. I’ve written about this before and it hasn’t gotten any easier since.
I think part of the reason is that, while video-enabled DSLRs produce stunning-looking video, shooting video with them still presents, shall we say, ergonomic challenges.
First you put on your Zacuto viewfinder, then you put on your mic, your mixer, and your follow focus rig, and by the time you do that, the subject you want to video is three towns away, and maybe even retired. When, I wonder, will Nikon or Canon come up with a camera with the same chip, that takes the same lenses, but is actually designed to shoot video and not jerry-rigged to do so?
For my speculation on that and other video ironies, hit the jump.