The other half of the one-two wide angle punch Nikon delivered to FXers, the 16-35mm f/4 VR, is another winner. I wandered all over a freezing cold, soaking wet South Beach in Miami (yes, let’s get out of the cold Northeast, and shoot in the nearly as cold, even wetter Southeast….Murphy, when will you and your law ever leave me alone?????) shooting with it primarily at night, as per my instructions from the agency.
I got sharp crisp results handholding at 1/4th, 1/8th, and even a couple of 1/2 second exposures (and that was before happy hour!). My brief said to avoid using a tripod, but did not prohibit the use of Margaritas to calm jittery weather nerves.
Of course, in South Beach, you have to pace yourself, because they all serve Margaritas in giant glasses as big as bird baths. Ummmm, VR II, there’s a challenge for you! The Jose Cuervo smackdown.
Stuff looked great wide open at f/4 too. Man, if I were an FX shooter (and depending on how negotiations go with my wife, my chiropractor, and my spinal surgeon, I might be one day), these would be my two wides. I’m not that much of a gearhead, and even I’m dreaming of them (oh, please come back, little 24, and bring your bokeh with you!)
The 16-35mm is bigger than the 17-35mm, but doesn’t feel any heavier and balanced well on both the big D3s and a D700. I’ll leave it to Nikon and the more techy blogs to give you all the details. I’ll just leave you with a couple of other sample pix and my user impression that this too is a killer piece of glass.
Oh, and just a request to the blogs who are grabbing and using these pics….how about running them with the copyright notice? Is that too much to ask? Geez, when a photography blog doesn’t know enough to run the damn copyright notice with a picture (and you know who you are), what hope is there?
And just to illustrate how changing the framing from horizontal to vertical can really change the message of your picture, hit the jump.